Oder-stage
Oder-stage

A PLATFORM FOR PERFORMING ARTS

A PLATFORM FOR PERFORMING ARTSA PLATFORM FOR PERFORMING ARTSA PLATFORM FOR PERFORMING ARTS

Slovenian ITI Centre


A PLATFORM FOR PERFORMING ARTS

A PLATFORM FOR PERFORMING ARTSA PLATFORM FOR PERFORMING ARTSA PLATFORM FOR PERFORMING ARTS

Slovenian ITI Centre


About ODER - STAGE and ITI

ODER in English translation STAGE is a space of collaboration in performing arts

  

Non-governmental performing arts platform is the seat of 

the International Theatre Institute in Slovenia. 


partner NETWORK

Week of Slovenian Drama Festival and Preseren Theatre Kranj
Association of Slovenian Ballet Artists and

Ballet Through Lines Web Platform
Association of Dramatic Artists of Slovenia
Slovenian Theatre Institute 

Maribor Theatre Festival

Academy for Theatre, Radio, Film and Television, University of Ljubljana


ABOUT ITI WORLDWIDE

   

We are a proud member of the largest international organization for the performing arts.



ITI was created on the initiative of the first UNESCO Director General, Sir Julian Huxley, and the playwright and novelist, JB Priestly, in 1948, just after the Second World War. This was the beginning of the Cold War when the Iron Curtain divided East and West. The founders of ITI aimed to build a cultural organization for the performing arts aligned with UNESCO’s goals on culture, education, the arts, mutual understanding and peace. It should focus its endeavours on improving the status of all members of the performing arts professions. They envisaged an organization that created platforms for international exchange and engagement in the performing arts education for beginners and professionals alike and using the performing arts for mutual understanding and peace. 




Find out more

WORLD THEATRE DAY and INTERNATIONAL DANCE DAY 2025

WORLD THEATRE DAY MESSAGE

Theodoros TERZOPOULOS, Greece 


Can theatre hear the SOS call that our times are sending out, in a world of impoverished citizens, locked in cells of virtual reality, entrenched in their suffocating privacy? In a world of robotised existences within a totalitarian system of control and repression across the spectrum of life? 


Is theatre concerned about ecological destruction, global warming, massive biodiversity loss, ocean pollution, melting ice caps, increasing forest fires and extreme weather events? Can theatre become an active part of the ecosystem? Theatre has been watching the human impact on the planet for many years, but it is finding it difficult to deal with this problem. 


Is theatre worried about the human condition as it is being shaped in the 21st century, where the citizen is manipulated by political and economic interests, media networks and opinion-forming companies? Where social media, as much as they facilitate it, are the great alibi for communication, because they provide the necessary safe distance from the Other? A pervasive sense of fear of the Other, the different, the Stranger, dominates our thoughts and actions. 


Can theatre function as a workshop for the coexistence of differences without taking into account the bleeding trauma? 


The bleeding trauma invites us to reconstruct the Myth. And in the words of Heiner Müller, “Myth is an aggregate, a machine to which always new and different machines can be connected. It transports the energy until the growing velocity will explode the cultural field,” and I would add the field of barbarity. 


Can theatre spotlights shed light on social trauma and stop misleadingly shedding light on itself? 


Questions that do not allow definitive answers, because theatre exists and endures thanks to unanswered questions. 


Questions triggered by Dionysus, passing through his birthplace, the orchestra of the ancient theatre, and continuing his silent refugee journey through landscapes of war, today, on World Theatre Day. 


Let us look into the eyes of Dionysus, the ecstatic god of theatre and Myth who unites the past, the present and the future, the child of two births, by Zeus and Semele, expresser of fluid identities, female and male, angry and kind, divine and animal, on the verge between madness and reason, order and chaos, an acrobat on the borderline between life and death. Dionysus poses a fundamental ontological question: “What is it all about?” A question that drives the creator towards an ever-deeper investigation into the root of myth and the multiple dimensions of the human enigma. 


We need new narrative ways aimed at cultivating memory and shaping a new moral and political responsibility to emerge from the multiform dictatorship of the present-day Middle Ages. 


Theodoros Terzopoulos

Theatre Director, Educator, Author, Founder and Artistic Director of the Attis Theatre Company, Inspirator of Theatre Olympics and Chairman of the International Committee of Theatre Olympics   

translated from the original Greek: Yiola Klitou / Cyprus Centre of I.T.I.  

INTERNATIONAL DANCE DAY MESSAGE

Mikhail BARYSHNIKOV, Latvia/USA 


It’s often said that dance can express the unspeakable. Joy, grief, and despair become visible, embodied expressions of our shared fragility. In this, dance can awaken empathy, inspire kindness, and spark a desire to heal rather than harm. 


Especially now—as hundreds of thousands endure war, navigate political upheaval, and rise in protest against injustice—honest reflection is vital. It’s a heavy burden to place on the body, on dance, on art. Yet art is still the best way to give form to the unspoken, and we can begin by asking ourselves: Where is my truth? How do I honour myself and my community? Whom do I answer to? 



THE GUEST HOUSE

THE GUEST HOUSE IS PLATFORM FOR CURRENT INTERNATIONAL TOPICS

The Guest House is a platform where we discuss current international topics through arts, creation, resilience, and humanity, and the venue where we host creators from different communities and real-life experiences. A platform where an open space for debate and exchange is created enables respectful dialogue and opens the perspectives of the artist's roots, work, and struggles.

 

April 2, 2025, at 6:00 PM CET

THE WEEK OF SLOVENIAN DRAMA FESTIVAL, Kranj, Slovenia


SUSTAINABLE THEATRE – A Challenge of Our Time 



Round table 

(Zoom Event, on-site and Online, Streamed Online)


Our starting point, the book "Sustainable Theatre: Theory, Context, and Practice" by Iphigenia Taxopoulou, a leading expert in culture and environmental sustainability, is currently a foundational work that has been in development for over three decades. The author has approached her research from numerous angles, exploring essential topics such as international perspectives, the climate and environmental impacts on cultural policy, tru artistic leadership, organizational ethics, infrastructure, activities, individual and institutional practices of sustainable creation, education, touring, and international collaboration. She also sheds light on how the climate crisis affects narrative—both on stage and in a broader sense.

What is the role of art at a time when numerous concepts, including creativity itself, are confronting the climate and environmental crisis, the collapse of values, wars, and political upheavals? Why should we even care about the role of the artist and art in the context of global environmental and political changes that increasingly impact the lives of each of us? What is the right balance, what are the biases, and how significant is the challenge of the concept of sustainability? We will pose these and many other questions to seek answers, open up thinking, and support the practice of sustainability in theatre within our cultural space.


Guests:

Iphigenia Taxopoulou (Greece), founder and General Secretary of the European theatre network mitos21, associate at Julie's Bicycle (UK), sustainability consultant, lecturer, and educator

Lučka Kajfež Bogataj, renowned Slovenian climatologist, full professor at the Faculty of Biotechnology, Head of the Chair for Agrometeorology, and member of the Intergovernmental Panel on Climate Change (IPCC) in Geneva

Laura Sedgwick (UK), producer at Theatre Green Book and Production Associate with independent producers Smith & Brant Theatricals 

Adam Bureš (Czech Republic), sustainability expert at the Czech National      Theatre in Prague, lecturer at the Prague Theatre Academy, and member of the sustainability forum within the Opera Europa network

Mike Van Graan (South Africa), playwright and producer in the field of social justice

Tamara Bračič Vidmar (Slovenia), Producer, Head of Public Relations, and Head of Greenstage Project for Slovenian activities 

Moderator: Tatjana Ažman, dramaturge, head of the Slovenian Centre ITI and Director of the Cultural Institute Oder/Stage, Ljubljana


The event will be hybrid and conducted in English. The Festival's Web and Social Media pages will announce possible livestreaming. 


Visit website

Activities

THE GUEST HOUSE Salt of the Earth

THE GUEST HOUSE The Voice of The New Belarus

  

4 April 2024

 54. Week of Slovenian Drama Festival

Preseren Theatre Kranj, Slovenia


Panel, on - site


The Guest House is a platform where we discuss current international topics through arts, creation, resilience, and humanity, and the venue where we host creators from different communities and real-life experiences. A platform where an open

  

4 April 2024

 54. Week of Slovenian Drama Festival

Preseren Theatre Kranj, Slovenia


Panel, on - site


The Guest House is a platform where we discuss current international topics through arts, creation, resilience, and humanity, and the venue where we host creators from different communities and real-life experiences. A platform where an open space for debate and exchange is created enables respectful dialogue and opens the perspectives of the artist's roots, work, and struggles. 


This time, the Round Table, entitled Salt of the Earth, will unfold the stories and experiences in the Middle East, aiming to underline the importance of the arts. 

Our guests at the venue were 

Ofira Hening and Ramzi Maqdisi. 

The talk host was Tatjana Ažman. 



Collaboration between

Slovenian Centre ITI, 

Cultural Institute Stage Ljubljana, and the Week of Slovenian Drama Festival Kranj



































THE GUEST HOUSE The Voice of The New Belarus

THE GUEST HOUSE The Voice of The New Belarus

  

 4 April 2023

53. Week of Slovenian Drama Festival Preseren Theatre Kranj, Slovenija


Round table 

(Zoom Event, on-site and Online, Streamed Online)



The Guest House is a platform where we discuss current international topics through arts, creation, resilience, and humanity, and the venue where we host creators from different communities and 

  

 4 April 2023

53. Week of Slovenian Drama Festival Preseren Theatre Kranj, Slovenija


Round table 

(Zoom Event, on-site and Online, Streamed Online)



The Guest House is a platform where we discuss current international topics through arts, creation, resilience, and humanity, and the venue where we host creators from different communities and real-life experiences. A platform where an open space for debate and exchange is created enables respectful dialogue and opens the perspectives of the artist's roots, work, and struggles. 



Parallel to the ongoing conflict in Ukraine, the systematic repression of democratic processes has been happening in Belarus for years. These processes, among other things, weaken and destroy the working conditions for many artists and intellectuals who have been leaving the country to create new lives for themselves with the hope that they will one day be able to return home. Many truths remain hidden until we start talking about them, writing them down, or documenting them in another way. Such knowledge must circulate in the art world so that it connects and empowers us to implement human rights. One of the projects that have been created with the intent to speak up is Insulted. Belarus. The American John Freedman and his wife, Russian actress and director Oksana Mysina, created the Worldwide Readings Project. They shot the documentary Voices of the New Belarus, based on Andrei Kureichik's eponymous play, and prepared a shorter version called Love is Stronger than Fear, which at the time of the event won the Grand Prix at the 14th Atlantis International Internet Short Film Festival in New York. The event took place in person in Kranj and on Zoom. With it, we wish to open the space for theatre colleagues who, with their work, are keeping their culture and language alive, albeit no longer at home, and support their future efforts.

Program:

- Insulted. The Belarus Worldwide Readings A project was presented by John Freedman, a writer and translator who has worked in Moscow since 1988 and was a theatre critic for the Moscow Times between 1992 and 2015. 

- Presentation of the film Love Is Stronger Than Fear - the short version of the film Voices of the New Belarus by Oksana Mysina and John Freedman.

- Nadzeya Luchanok's introduction and a statement dialogue about her father, who has been imprisoned in Belarus since 2021.

Playwright and screenwriter Andrei Kureichik, author of the play Voices of the New Belarus, revealed his experience working collaboratively with Oksana and John and his work and activities in the US.

- FOCUS BELARUS PLAYWRIGT - Contemporary Belarusian author Diana Balyko was on-site. A dialogue with her about her present living and working situation, a presentation of her work, and a focused future.


Collaboration between

Oder/Stage – Cultural Institute for Performing Arts / SC ITI, People's Embassies of Belarus in Ljubljana, the Association of the Belarusian Diaspora in Slovenia, and The Week of Slovenian Drama Festival in Kranj, Slovenia




READING CANKAR

  

31 March 2022

52. Week of Slovenian Drama Festival

Preseren Theatre Kranj, Slovenija


Round table 

(Zoom Event, Streamed Online)


Ivan Cankar, the "undiscovered Central European Ibsen," was promoted abroad in English translation. Round table, streamed online.

With: Jure Gantar (Dalhousie University, Halifax, Canada), Andreja Kovač (artistic dir

  

31 March 2022

52. Week of Slovenian Drama Festival

Preseren Theatre Kranj, Slovenija


Round table 

(Zoom Event, Streamed Online)


Ivan Cankar, the "undiscovered Central European Ibsen," was promoted abroad in English translation. Round table, streamed online.

With: Jure Gantar (Dalhousie University, Halifax, Canada), Andreja Kovač (artistic director, Crane Creations Theatre Company, Mississauga, Canada), Vijay Padaki (Bangalore Little Theatre Foundation, Bangalore, India) and Kay Brattan (artistic director, Little Lion Theatre, London, UK). Moderator: Tatjana Ažman (Slovenian Centre ITI); coordinator: Rok Andres


Collaboration between Slovenian Centre ITI, International Playwrights’ Forum ITI, Crane Creations Theatre Company (Canada), and Week of Slovenian Drama Festival.  Supported by the Ministry of Culture of the Republic of Slovenia.

PAST ACTIVITIES 2020 - 2022

2020 – 2022 ZOOM EVENTS COLLABORATION


11 November 2021

51. WEEK OF SLOVENIAN DRAMA FESTIVAL Preseren Theatre Kranj, Slovenija

 CREATORS OF CHANGE:

Women Playwrights During the COVID-19 

A discussion in an open dialogue about the new contexts women artists worldwide create daily. 

With: Simona Hamer (Slovenia), 

August Melody Andong (President of Women Playwrights International, Phi


11 November 2021

51. WEEK OF SLOVENIAN DRAMA FESTIVAL Preseren Theatre Kranj, Slovenija

 CREATORS OF CHANGE:

Women Playwrights During the COVID-19 

A discussion in an open dialogue about the new contexts women artists worldwide create daily. 

With: Simona Hamer (Slovenia), 

August Melody Andong (President of Women Playwrights International, Philippines), Rosemary Johns (Vice-President of Women Playwrights International, Australia), 

Ximena Carrera (Chile), 

Dessa Quesada-Palm (Philippines), 

Melodie Reynolds-Diarra (Australia), 

Elnaz Sheshgelani (Iran / Australia)

Moderator: Tatjana Ažman (SC ITI); 

coordinator: Rok Andres (SC ITI)

Round table, Zoom Event, Streamed Online.
Collaboration between the 

Slovenian Centre ITI, 

International Playwrights’ Forum ITI, 

WPI (Women Playwrights International), and the Week of Slovenian Drama Festival. Supported by the Ministry of Culture of the Republic of Slovenia. 


  

4 February 2020

OLYMPUS FESTIVAL

Cankarjev dom Ljubljana

Dr Constantina Ziropoulou, Professor of Theatre Studies, member of the

IPF was invited to give a lecture to outline the modern directing approaches of Ancient Greek theatre, as viewed within the framework of the current cultural and economic developments in Greece, and presented significant landmarks in the history of the revival of ancient Greek theatre until the present day.

The initiative of Staša Mihelčič, 

vice president of IPF, 

Secretary General of SC ITI. 

In collaboration with Cankarjev Dom Ljubljana, SC ITI, and IPF,



PAST ACTIVITIES 2017 - 2020

2020 – 2022 ZOOM EVENTS COLLABORATION

2020 – 2022 ZOOM EVENTS COLLABORATION


19 – 21 October 2019

Maribor Theatre Festival 

4th ITI EUROPEAN REGIONAL COUNCIL

 The Maribor Theatre Festival was presented to an open audience, followed by a meeting of the European Centre's representatives. It was co-organized by SC ITI (Staša Mihelčič, Rok Andres, and Tatjana Ažman), European Regional Centre ITI (Fabio Toledi), ITI World


19 – 21 October 2019

Maribor Theatre Festival 

4th ITI EUROPEAN REGIONAL COUNCIL

 The Maribor Theatre Festival was presented to an open audience, followed by a meeting of the European Centre's representatives. It was co-organized by SC ITI (Staša Mihelčič, Rok Andres, and Tatjana Ažman), European Regional Centre ITI (Fabio Toledi), ITI Worldwide (Tobias Biancone, Chen Zhongwen), and Maribor Theatre Festival.  



14 – 16 December 2018

Slovenian National Theatre Drama Ljubljana

MASTERCLASS FOR ACTORS

By Apostolos Apostolides (Cyprus) 

A complete 3-day program for  25 participants.

SC ITI, 

Slovenian Association of Dramatic Artists, 

Slovenian National Theatre Drama Ljubljana.



15 – 29 October 2018

Maribor Theatre Festival

 NEAP YOUNG EMERGING ARTISTS EXCHANGE PROGRAM 

 The Maribor Theatre Festival hosted a Masterclass facilitated by a student from 

The Accademia Teatro Dimitri.

Collaboration between the Slovenian Centre ITI and the Swiss Centre ITI. 




23 October 2018

Maribor Theatre Festival

THE CHALLENGES OF ARTISTIC FREEDOM

 Symposium and Round Table 

Prominent specialists and guests discussed current themes of evaluating and treating artistic (or the artist’s) freedom, mainly focusing on various forms of violation, (self-)censorship, or the restriction of activity, creation, and expression. Guest participants Dr. Darko Lukić – keynote speaker (Croatia); Dr Thomas Engel (German Centre ITI and founding member of the ITI ACAR); Dr Thomas Irmer (German Centre ITI, member of the ITI ACAR); Dr Srirak Plipat (executive director of Freemuse); Tomasz Kireńczuk (Poland); chaired by Tatjana Ažman and Rok Andres (SC ITI).Co-organized by the Slovene Centre ITI, the German Centre ITI, the ITI ACAR, and the Maribor Theatre Festival. 



6 December 2017

Lili Novy Hall - Cankarjev dom 

BODY LANGUAGE: 

PANTOMIME - ANDRÉS VALDÉS, 

THE PRIZE WINNER AND HIS STORIES  

The World Mime Organisation awarded mime and teacher Andrés Valdés for outstanding contribution to the art of pantomime, followed by the reflection on Cuban poetry - interpreted by a Mexican actor, writer, and director Carlos Pascual and the talk with the artists conducted by the dramaturge Staša Mihelčič. SC ITI, World Mime Organisation, Association of Dramatic Artists of Slovenia in cooperation with Cankarjev dom Ljubljana. 


14 – 23 July 2017 

ITI WORLD CONGRESS 

Segovia, Spain 

Congress program 

of the Slovenian delegation

Guest performance Madam Bovary, directed by Yulia Roschina, Slovenian National Theatre Nova Gorica; Guest performance Gathering of the Birds, directed by 

Nina Rajić Kranjac, Academy for Radio, Film, Television and Radio Ljubljana; Participation of the Slovenian member of the UNITWIN, Aleš Valič; Young practitioner representative Lea Kukovičič; Workshop by Alida Bevk; 

New Honorable member of the ITI, 

Henrik Neubauer.   

  


2020 – 2022 ZOOM EVENTS COLLABORATION

2020 – 2022 ZOOM EVENTS COLLABORATION

2020 – 2022 ZOOM EVENTS COLLABORATION

  

4 JULY 2020

World Mime Chat No 3  

LADIES OF THE STAGE - 

PRIDE, PREJUDICE & CORONA

Women artists from around the globe participated in the series of online discussions led by the World Mime Organisation.


 

August 202O - Online 

15th SAINT MUSE THEATRE AWARDS

SC ITI member Tatjana Ažman 

was a guest juror for the online festival edition, categor

  

4 JULY 2020

World Mime Chat No 3  

LADIES OF THE STAGE - 

PRIDE, PREJUDICE & CORONA

Women artists from around the globe participated in the series of online discussions led by the World Mime Organisation.


 

August 202O - Online 

15th SAINT MUSE THEATRE AWARDS

SC ITI member Tatjana Ažman 

was a guest juror for the online festival edition, category Music Theatre.


20 November 2020 

NEAP FEST BRASIL ONLINE 2020

GLOBALIZATION:

WHAT ARE THE POSSIBILITIES 

FOR  A DIALOGUE WITH THE ART 

Zoom Talk Slovenia - Brasil

The second edition happened between November 13 - 28, virtually: the NEAP FEST gathered artists, theatre companies, and festival producers from different countries and continents from home. 



9 December 2020 

IAPAR INTERNATIONAL FESTIVAL

PERFORMING ART IS CAPITAL 

Zoom Masterclass 

The Masterclass theme was finding relevance in art today as one of the most critical challenges. What exactly are transformation and connectivity, 

and what are our opportunities? 

Conducted by Tatjana Ažman SC ITI.


14 September 2021 

3rd Mitambo International 

Theatre Festival Online

THE SHOW MUST BE ONLINE: #STAY@HOME, 

PANDEMIC PROOFING INNOVATIONS


20 December 202O 

MIME ART & EDUCATION FACING CHALLENGES OF TODAY

An online Event was organized by the National Academy for Theatre and Film "Krastyo Sarafov" (NATFA) in Sofia to celebrate 30 years of mime education 

at the NATFA.

Supported by the WMO and ITI-WMO Physical Theatre Working Group.


THINKING AND RETHINKING BALLET

   

In 2021, The Slovenian Ballet Artists' Association and The Slovenian Centre ITI launched a web page section, and talks streamed on YouTube with guests from around the World. This exceptional ongoing cooperation between the two organizations fosters the dialogue between art and society with its diversity and international reach

Team of producers: 

Tomaž Rode, Nataša Berce.

 and a host Tatjana Ažman. 

The Ministry of Culture of 

the Republic of Slovenia supports them. 


27. 5. 2021
ROBERT DEKKERS (USA) is a choreographer, artistic director, and ballet ensemble Post: Ballet (USA) founder. 

https://www.youtube.com/watch?v=YGQjgmU-aRo

 

27. 9. 2021

GEORGETTE GEBARA (LEBANON),  is Lebanon's legend and prima ballerina, ambassador of arts in Lebanon, pedagogue, and founder of professional ballet education in her country. 

She is one of the first ITI members to receive the "Honorary Member" title during the Xiamen Congress 2011. She served as Secretary of the International Dance Committee of ITI and was a Technical Advisor for the Executive Council. 

https://www.youtube.com/watch?v=_QO8trLRVgI


16. 2. 2022

MIHAELA DEVALD ROKSANDIĆ (CROATIA), Croatian ballerina, principal dancer of 

The Croatian National Theatre in Zagreb. 

https://www.youtube.com/watch?v=NL2IagAz0ic


7. 3. 2022

CHASE JOHNSEY, an American ballet dancer from Florida (USA), was awarded dancer (Dance Magazine 2008 – 25 to Watch, English National Dance Awards 2017 - 

Best dancer), founder of Ballet Barcelona.

https://www.youtube.com/watch?v=ezCowW_sTYE


15. 6. 2022

ALASTAIR MACAULAY (UK), the leading critic of the Financial Times, the leading dance critic at Times Literary Supplement and New York Times, a contributor to Dance Magazine, Ballet Review, Dancing Times, …, academic teacher (Royal Academy of Dancing, UK), curator (New York City Center), 

and book author.

https://www.youtube.com/watch?v=L5vOy9FikrQ


5. 12. 2022

JAŠ OTRIN (SLOVENIA/GERMANY), a former principal dancer in many important European ballet houses and a founder of OtrinArtManagement, a platform for performing and fine arts artists, is presently based in Germany. 

https://www.youtube.com/watch?v=HSpc2L9aE6c


  

23. 1. 2023

JENNIFER HOMMANS (USA), a famous book author, revealed the backstage of her work on a recently published influential book about George Balanchine entitled 

Mr B., George Balanchine's Twentieth Century. 

https://www.youtube.com/watch?v=k-fAJnKOtrI


26. 9. 2023

SZILARD MACHER (HUNGARY), ballet dancer, pedagogue, and choreographer, talks about his experience as a dancer. Still, mainly, he describes the situation in ballet education and pedagogy from the perspective of the present situation in Hungary. 

https://www.youtube.com/watch?v=-emdj5wXMOQ&t=9s


28. 11. 2023 

MÁRIO RADAČOVSKÝ (SLOVAKIA) joined the Slovak National Theatre Ballet in 1989, becoming a soloist quickly. In 1992, he received an offer to dance in Jiří Kylián's Netherlands Dance Theatre in The Hague. In 2018, he finished a master's in choreography at the Academy of Performing Arts in Prague. He began to create as a choreographer in 2002 at the Les Grands Ballets Canadiens in Montreal. Since the 2013 season, he has been the artistic director of The Ballet of the National Theatre Brno. 

https://www.youtube.com/watch?v=day509Zl2Y0&t=3214s


3. 1. 2024 

GABRIELE HASLINGER (AUSTRIA),  Gabriele Haslinger was six years old when she was accepted at the prestigious ballet school of the Vienna State Opera, 14 when she received her employment contract to the Vienna State Opera Ballet, and 21 when Rudolf Nureyev (Soviet-born ballet dancer and choreographer, 1938 – 1993) specifically chose her of all ensemble members as his partner for a series of roles – at a time when she had not even reached her soloist status yet. Gabriele was acclaimed for her virtuosity and elegance and for making the most technically demanding roles seem effortless and gracious. 

https://www.youtube.com/watch?v=My-mLqkWLXM&t=3201s


4. 1. 2024 

HELEN PICKETT (USA), a California-born choreographer, has created more than 30 ballets, most recently Eventide (Boston Ballet), Games (Ballet West), and Camino Real(Atlanta Ballet, where she is the resident choreographer). We discussed different and her work's beautiful points of her career as a da, dancer, actress, filmmaker, and pedagogue, as well as how she views the present art community struggles and opportunities  

https://www.youtube.com/watch?v=hGmSjNh_aGs&t=2s




VISIT WEBSITE

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SC ITI LEADERSHIP AND BOARD MEMBERS

  

Tatjana Ažman / 

President / 

Acclaimed dramaturg of the 

Slovenian National Theatre Opera and Ballet Ljubljana, 

theatrologist and playwright, 

Director and Artistic leader of 

Oder - Stage, Cultural Institute for Performing Arts, Ljubljana 

  

Dr Rok Andres / 

Vice President / 

Dramaturg, Critic and 

Artistic Director of Šentjakob Theatre Ljubljana

Staša Mihelčič / 

Secretary General / 

Dramaturge and Theatre Project Leader at 

Cankarjev dom, Cultural and Congress Centre Ljubljana

  

Karmina Šilec

Conductor, Director-Author, Composer,

 Artistic Director of 

Carmina Slovenica and 

New music theatre Choregie 

  

Neda Rusjan Bric

Director, Actress, Playwright, 

Leader of winning candidate city and 

Artistic leader of European Culture Capital Nova Gorica – Gorizia 2025

  

Nataša Berce

Critic, Publicist, Dramaturge,

Chief Editor of Ballet Through Lines Web Platform at

Association of Slovenian Ballet Artists

  

Matjaž Farič

Director and Choreographer, 

Artistic Director of 

Institute Flota and 

Front@ Festival

  

  

Aleš Valič

Actor and Professor at 

Academy for Theatre, Radio, Film and TV, 

University of Ljubljana

    

Lea Kukovičič

Theatre Director, 

Performer and Dramaturge


    

Nina Kuclar Stiković

Dramaturge and Playwright


    

Jakob Ribič

Dramaturg, Young Researcher at 

Academy for Theatre, Radio, Film and TV,

 University of Ljubljana


  

Simon Stanojevič / 

Arts Administration Support /

 Sociologist and Art Historian

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